Within certain storytelling genres (such as fiction & screenwriting), there lurks an essential element that is often difficult to pin down. That element is narrative architecture, the structure of the story that — like the steel frame of a building — works to justify a plotline, and most critically, a character’s decision-making within that context. A self-supporting narrative architecture is a positive feedback loop that is capable of resisting an earthquake of scrutiny; a flimsy narrative architecture will collapse like a house of straw in a tornado.
On March 29, 2018, I gave a 90-minute professional development workshop on “Narrative Architecture” to Writing Center fellows at Princeton University. By using examples as varied as Portlandia, Vertigo, and Macbeth, we analyzed the plot and character dynamics intrinsic to narrative architecture, progressing from a single scene to a sequence of scenes. These examples helped us answer the following critical questions:
What events must happen for a character to make a critical decision? How can you arrange these events to make that character’s decision justified?
With a deeper understanding of narrative architecture, we practiced analyzing a student fiction story and brainstorming how a Writing Center tutor might be able to give productive suggestions to a student attempting to write an engaging, efficient, and airtight story.
The main ideas of this workshop are currently being adapted to an essay format for future publication. Many thanks to the Princeton Writing Program for inviting me to give the workshop, and to the enthusiastic fellows who participated.
